The Film Baby Review: A Sharp Depiction of LGBTQ+ Brazilian Hustlers Lost in the Established Order

Channelling the city's relentless energy and pulsating life of São Paulo, filmmaker Caetano's bracing drama focuses on those who live on the fringes of an perpetually shifting metropolis. Recently released from juvenile prison, 18-year-old Wellington (the actor João Pedro Mariano) stands at a pivotal juncture; deserted by his parents, the impressionable young man finds solace in the arms of others.

On an evening out with his lively group of LGBTQ+ and gender non-conforming friends, Wellington meets Ronaldo (actor Ricardo Teodoro), a strapping, magnetic hustler significantly older than his age. Shrouded in the pulsating light of a adult movie theater, their first meeting is sensuous and erotic, with an edge of danger. Ronaldo quickly introduces Wellington to the shadowy world of the sex trade and drug dealing.

A Study of Empathy Rather Than Exploitation

The film illustrates Wellington’s new life of crime with tender empathy instead of as a melodramatic morality play. Now going by the name of Baby, he enters his commercial trysts with swaggering confidence and endearing innocence. To his customers, Wellington offers more than his youth and his body, but also instances of tenderness.

In the feverish excitement of São Paulo, overflowing with busy lanes and vibrant storefronts, there’s a gnawing loneliness, as unmoored souls hold fast to one another for fleeting joy.

"The streets are fraught with peril, yet they are the place where they can find their own family, too."

A Complex Dynamic of Love and Control

Ronaldo is both a lover and a guardian-like mentor to Wellington, but their relationship is derailed by envy and financial instability. Intimidation from dubious individuals in the shadow economy pale in comparison to the dread of institutional observation and incarceration, symbolized by the constant sight of police officers in the area.

Baby is most powerful as a keen observation of the disenfranchised individuals who have been failed by the social system. The film ultimately serves as a heartfelt examination into survival, non-biological kinship, and the pursuit of self within a demanding urban landscape.

Michael Sullivan
Michael Sullivan

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